To set a reading intention, click through to any list item, and look for the panel on the left hand side:.
4 editions of this work
You talkin' to me? Library availability.
- How Then Should We Eat the Lords Supper.
- Sanguinarian (Siren Publishing Classic);
- Martyrdom: A Guide for the Perplexed (Guides for the Perplexed).
- The Gift of Dyslexia: Why some of the brightest people cant read and how they can learn.
- You Talkin’ To Me?: Rhetoric from Aristotle to Obama . Sam Leith!
Have you read this? Please log in to set a read status Setting a reading intention helps you organise your reading. Read the guide. Your reading intentions are private to you and will not be shown to other users.
What are reading intentions? Far from being the preserve of politicians, it is the art of persuasion used in courtrooms and classrooms, battlefields and boardrooms. It is the careful choice of words used to ditch a lover, ask for a better table in a restaurant or plead with the kids to eat their cabbage.
You Talkin' to Me? by Sam Leith – review | Books | The Guardian
And you know what a rhetorical question is, don't you? For hundreds of years, it was one of the key elements of education. In Shakespeare's day, rhetoric — learned by rote — comprised one-third of a basic schooling. Pupils were expected to memorise wise sayings and study the techniques of Aristotle and Ovid.
You Talkin To Me?: Rhetoric from Aristotle to Obama by Sam Leith(1905-07-04)
Only in the 19th century did it begin to fall from favour, replaced by more scientific disciplines. Leith attempts to reclaim rhetoric with a breezy book that sprays around examples from history, politics and popular culture to outline the building blocks of public speech, flitting happily from Cicero to J-Lo, from Hitler to Homer Simpson. Perhaps a little too happily — the cast of characters flash by almost too frequently, while the mixture of colloquialism and the classics sometimes jars. Despite this, when given time to breathe, Leith's often engaging examples lighten any sense of learning.
The address by Colonel Tim Collins on the eve of the Iraq war is often held up as one of the most stirring modern pieces of military oratory, with its fine orotundities and vivid sense of history.
But as one officer told Leith a few months later, teenage troops facing the threat of death "don't want to hear all that bollocks about Abraham and Isaac and the light of liberation". Good rhetoric relies on knowing your audience.
You Talkin' To Me?
Then there is Edward Everett, chosen to dedicate a graveyard for the Union dead after the Battle of Gettysburg in the American civil war. He spent several months preparing, polishing and memorising his speech, then spoke for more than two hours with rolling classical allusions and an almost journalistic recalling of the fight. Afterwards, a late addition to the bill named Abraham Lincoln stepped up to make a few remarks in reply. In two minutes and barely words, he delivered the most influential piece of rhetoric in American history. Inevitably, many of the best examples come from politics, whether it is Churchill, whose bombastic prose — carefully crafted and rehearsed in front of mirrors — found its moment when the nation was under threat, or Ronald Reagan, fortunate to have the brilliant Peggy Noonan as his speechwriter.
She was a true believer in the power of words to shape tribal identity, but also knew that a good speech relied on intense research and endless editing.
Her skill with words and ability with literary techniques helped turned a B-movie actor into an A-grade orator.